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  • Blue Note album covers have always been considered among the finest examples of commercial art design. They were mostly the work of one man, Reid Miles, whose genius lay in the way he arranged and formatted the candid pictures of photographer Francis Wolff on the 10- and 12-inch record covers that formed his canvases. Using contemporary fonts, striking colors, and attention-grabbing slashes, Reid created a new vocabulary of album art. Featuring a well-chosen cross section of Reid's work, the generously proportioned BLUE NOTE: THE ALBUM COVER ART harks back to the pre-digital days of two-sided vinyl albums and typefaces that could be read without the aid of a microscope. Memorable images predominate: a young Dexter Gordon, the epitome of cool in a tab collar shirt, ruminates soulfully, cigarette held casually between his immaculately manicured fingers; the Ornette Coleman Trio huddle together against the stark background of a snow-covered park in Stockholm; and a woman's shapely calves sexily decorate the album cover to Sonny Clark's COOL STRUTTIN' album. With a foreword by the great pianist Horace Silver, BLUE NOTE is a fascinating tour through the wonder years of jazz album design.

  • Blue Note: The Album Cover Art
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    Artist: Esperanza Spalding
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  • JazzTimes (p.111) - "Spalding's voice slips through each of her intricately crafted arrangements as if imbued with the spirit of Flora Purim."

    Every few years, a new artist comes along with talent and potential so great that it challenges and redefines the common perceptions of what jazz is and where itÂ’s heading. The new light on the horizon may be a compelling vocalist one year, or perhaps an unmatched instrumental virtuoso a few years later, or maybe a brilliant composer a few more years down the road.

    Bassist/vocalist/composer Esperanza Spalding is all of these things and more.


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    Buy What A Night! A Christmas Album  Now!
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    What A Night! A Christmas Album
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    Bela Fleck & The Flecktones
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    We Remember
    Oscar Peterson
    (1925 - 2007)
    He was called the "Maharaja of the keyboard" by Duke Ellington, and was therefore a member of jazz royalty. He released over 200 recordings, won seven Grammy Awards, and received other numerous awards and honours over the course of his career. He is considered to have been one of the greatest pianists of all time, playing to audiences worldwide in a career lasting more than 60 years.

    Exclusively For My Friends [Box]

    On the Town With the Oscar Peterson Trio

    Perfect Peterson: The Best of the Pablo and Telarc Recordings

    We Remember
    Max Roach
    (1924 - 2007)
    He was one of the first drummers (along with Kenny Clarke) to play in the bebop style, and performed in bands led by Dizzy Gillespie, Charlie Parker, Thelonious Monk, Coleman Hawkins, Bud Powell, and Miles Davis.
    Roach played on many of Parker's most important records, including the Savoy 1945 session, a turning point in recorded jazz.

    Max Roach 4 Plays Charlie Parker

    Members Don't Get Weary/Lift Every Voice and Sing

    Percussion Bitter Sweet



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